ATV Parts and Accessories

Dave Matthews Band, sometimes shortened to DMB, is an American jam band formed in Charlottesville, Virginia in 1991. Founding members were singer-songwriter and guitarist Dave Matthews, bassist Stefan Lessard, drummer/backing vocalist Carter Beauford and saxophonist LeRoi Moore. Boyd Tinsley was added to the band as a violinist soon after the band was formed. Moore died suddenly in August 2008 due to complications from an ATV accident. Grammy Award-winner Jeff Coffin, of Bela Fleck and the Flecktones, has since filled Moore’s spot as the band’s saxophonist.

Rashawn Ross and Tim Reynolds have also become full-time touring members of the band. With musicians who each have roots in differing genres, including jazz, classical, soul, rock, bluegrass, and hip-hop, the band has come together to create an eclectic sound which has earned them fans from a variety of quarters. As of 2010, Dave Matthews Band have approximate sales between 30 and 40 million copies worldwide.

The band is known for their annual summer-long tours of the US and Europe, featuring lengthy improvisational renditions of their songs, accompanied by an elaborate video and lighting show. This portion of the tour has become a stamp of DMB and has grown with the band since Fenton Williams began in the early 1990s. After twenty consecutive years of touring the band announced that it is going to take the summer of 2011 off. The band’s most recent album, Big Whiskey and ATV Parts Plus the GrooGrux King (the first since Moore’s death) debuted at number one on Billboard 200, giving the band their fifth consecutive number one debut, making them the second band behind Metallica to do so.

Songwriter David John Matthews, working in Charlottesville Virginia as a bartender at Miller’s bar in November 1990, made friends with a lawyer named Ross Hoffman. Hoffman convinced Matthews, usually reserved and reluctant to play in front of people, to lay down a demo of the few songs he had written. Hoffman hoped Matthews could shop the songs in order to find other musicians to perform on some studio work with him. Hoffman encouraged Matthews to approach Carter Beauford, a local drummer on the Charlottesville music scene. Beauford had been in several bands and was then playing on a jazz show on BET.

After hearing the demo, Carter agreed to spend some time playing the drums, both inside and outside the studio. Matthews also approached LeRoi Moore, another local jazz musician who often performed with the John D’earth Quintet to join them. Moore skeptically listened to the demo, but liked what he heard and decided that he too would give the young South African a chance. These three began working on Matthews’ songs in 1991. Matthews recollects that, “the reason I went to Carter was not because I needed a drummer, but because I thought he was the worst thing I’d ever seen and Leroi, it wasn’t because I desperately wanted a saxophone, it was because this guy just blew my mind. At this jazz place I used to bartend at [Miller's], I would just sit back and watch him.

I would be serving the musicians fat whiskeys and they’d be getting more and more hosed, but no matter how much, he used to still blow my mind. And it was the sense that everyone played from their heart. And when we got together and they asked, ‘What do you want the music to sound like?’ I said, ‘I know this is a song I wrote and I like what you guys play, so I want you to play the way you react to my song.’ There was a lot of breaking of our inhibitions.”

Matthews later said in an interview with Michael Krugman, “In a way, initially it was just the three of us and I approached them with this tape and they said ‘Sure,’ cause they had time on their hands. They were both working on other things, but they had some afternoon time.”The beginning stages of this new band were, in the words of Morgan Delancey, “a time of trial and incubation.” Beauford would later recall that, “It started out as a three-piece thing with Dave and Leroi…working on some of Dave’s songs. He only had four songs at the time..And it didn’t work out with the three of us.” Matthews said, “The first time we played together. We were awful. Not just kind of bad, I mean heinously bad. We tried a couple of different songs and they were all terrible. Sometimes it amazes me that we ever had a second rehearsal.”

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